Enjoy the moment of winning each journey. Drop the ball at the right time and try to overcome as many obstacles as you can.Įach challenge of the game forces you to face different missions. Quickly tap the screen to control the ball. The obstacles will rotate and move, so you need to overcome them when the color will match the shadow color. Slowly choose the falling location with the same color as you to complete the game and win with a high score. The color of the ball needs to be the same as the color of the part from the obstacle.Ĭollect the stars that appear on your journey to victory. Control the colored ball to go through the circle or over the obstacle. Choose your best way of playing to complete this game with the highest score at. We had some great times, on the roof, up on ladders, setting off some alarms…ultimately, it all made for a fun process and a proud final installation.Color Drop challenges the skills of each player. Combined with the chose colors, the result from street level was blown out Clemente images. One comment Duane made, which we agreed with, is that the upper project is too bright. Unfortunately, we needed to return most of the materials.
In fact, they liked it so much, they asked if we could keep the installation up for the week. THE FEEDBACK:Įveryone at the Clemente loved the final piece! They had a great time interacting with it, both outside and in. The angle at which it was viewed was in direct eye line with the ceiling projector, leaving it to seem a bit blown out. To start, we would test out a greater range of sensors to narrow down our interactions early, we would also explore some other image manipulation techniques as well as try to figure out the best color/brightness for the top window projection. While we were very happy with the final product, looking back there are a few things we would change. We moved onto the kinect and leap motion for more active engagement, though, ultimately we landed on PIR motion sensors. The steep learning curve of the IR camera pushed us to explore other avenues. However, the camera was not providing the quality of detection that we needed. In addition, in our first attempt for the interaction involved using an infrared camera on the roof that would detect people passing by. This allowed us to be more creative with what we were showing and ultimately moved us from a flood of color lights, to the more dynamic snow fall projection. Thanks to this, we were able to modify some of the technical execution on the fly.Įarly on we had planned to use Neopixel strip lights, but quickly realized that we were not going to get the desired effect, so we shifted to projection on the lower windows. They allowed us to come back several times to test our ideas and the technology. These bursts were intentionally programmed with an upward movement and lighter color, so that anyone interacting would know they were contributing to the projection.ĭuane and the staff at the museum were extremely generous.
When a person passed in front of the sensors, a burst of snow particles would take place. We used a tiered approach in the communications, the top sent color information to the middle projectors and the middle projectors send information to the bottom projectors.įor the pedestrian interaction we chose to use two PIR sensors attached at ground level to detect anyone passing by.
Each projector was controlled by a laptop running Processing and used OSC communication to talk to one another over a wireless network.
Colordrop location windows#
The second story used an existing on-site projector, while on the first floor 4 additional projectors were used-two pico projectors for the rounded windows and two larger NEC projector aimed at the bottom row of windows. To create the desired effect we placed a number of projectors throughout the space. Photos Courtesy of The Clemente Museum-reversed & recolored for projection As people walk by or approach the windows, a flurry of snow particles are thrown into the “air,” allowing people to contribute to the project. As Clemente’s images change, the colors influence the projections below, creating an abstract and dynamic snow fall for pedestrians. The top level highlights a collection of photos gathered by the museum over time, bringing them to life with vibrant colors. We projected onto both the first and second floor windows of the museum to create a cohesive multi level projection. We created an interactive projection installation that brought the front of the building to life with both history and seasonality. Not only were we inspired by the many images and memorabilia throughout the museum as well as Duane’s photography, but also the multi functional space, the unique windows, and the beautiful facade. The project incorporates both the nature of the site as well as the spirit of the holiday season and all that it brings to mind-snowfall, lights, color, winter magic.
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